A r t C r u s h

I am an artist living in Greater Atlanta, Georgia (U.S.A). Here you will find images that inspire through color, form, and concept.

dutch-and-flemish-painters:

blastedheath:

Anne Bonnet (Belgian, 1908-1960), Fétiche, c.1954. Gouache, 70 x 50 cm.

Anne Bonnet (16 May 1908 – 14 November 1960) was a Belgian painter.
Born Anne Thonet in Brussels, she began her studies in art in 1924, but was obliged to abandon them in 1926 on the death of her parents. In 1930 she married Louis Bonnet, a dealer in silk, and her financial situation allowed her to return to art. In 1936 she resumed art studies under Jacques Maes and held her first exhibition in 1938.
Originally influenced by realists such as James Ensor, she later adopted a geometric style of landscape painting, which became increasingly abstract, inviting comparisons with Paul Klee.
Her work was selected to be on show at the Documenta II exhibition in Kassel alongside other Belgian abstract artists like Henri Michaux, Michel Seuphor and Marc Mendelsohn. She was represented by three artworks: Vestiges (1956), Vestiges Grises (1956) and Hélianthes (1957).
Exhibitions of her work have been frequent since her death, including a major series in 1963 at the Royal Museums of Fine Arts of Belgium and at the Art museums of Liège and Charleroi.
Her iconic La ville d’or is held by the Royal Museums of Fine Arts of Belgium.
View high resolution

dutch-and-flemish-painters:

blastedheath:

Anne Bonnet (Belgian, 1908-1960), Fétiche, c.1954. Gouache, 70 x 50 cm.

Anne Bonnet (16 May 1908 – 14 November 1960) was a Belgian painter.

Born Anne Thonet in Brussels, she began her studies in art in 1924, but was obliged to abandon them in 1926 on the death of her parents. In 1930 she married Louis Bonnet, a dealer in silk, and her financial situation allowed her to return to art. In 1936 she resumed art studies under Jacques Maes and held her first exhibition in 1938.

Originally influenced by realists such as James Ensor, she later adopted a geometric style of landscape painting, which became increasingly abstract, inviting comparisons with Paul Klee.

Her work was selected to be on show at the Documenta II exhibition in Kassel alongside other Belgian abstract artists like Henri Michaux, Michel Seuphor and Marc Mendelsohn. She was represented by three artworks: Vestiges (1956), Vestiges Grises (1956) and Hélianthes (1957).

Exhibitions of her work have been frequent since her death, including a major series in 1963 at the Royal Museums of Fine Arts of Belgium and at the Art museums of Liège and Charleroi.

Her iconic La ville d’or is held by the Royal Museums of Fine Arts of Belgium.

(via myfoursidedmemorymachine)

3wings:

Prelude to a Civilization, 1954
Encaustic and pen and ink on Masonite
Victor Brauner 
View high resolution

3wings:

Prelude to a Civilization, 1954

Encaustic and pen and ink on Masonite

Victor Brauner 

(via franswazz)

Pius Fox at Pulse Miami 2013.

Pius Fox at Pulse Miami 2013.

workman:

lawrenceleemagnuson:
Nicolas de Stael (1914-1955) Composition-Paysage (Le Castelet) 1953oil on canvas 33.2 x 24cm
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workman:

lawrenceleemagnuson:

Nicolas de Stael (1914-1955)
Composition-Paysage (Le Castelet) 1953
oil on canvas 33.2 x 24cm

(via wowgreat)

When you get to the question of “why am I painting/ for whom am I painting?”, one of two things will happen: You will either stop painting altogether or what is authentic to you will at last be born onto the canvas.
-Jeff Huckaby